Live Sound / Live Sound Mixers
Yamaha TF5 Digital Mixing Console
Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.
Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.
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Product Information
High input capacity and fader count makes this powerful console ideal for larger applications.
- 33 motor faders (32 channels + 1 master)
- 48 input mixing channels (40 mono + 2 stereo + 2 return)
- 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses
- 8 DCA groups with Roll-out
- 32 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
- 16 analog XLR outputs
- 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
- 8 Effects and 10 GEQ
- 1 expansion slot for NY64-D audio interface card
SPECIFICATION
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TF5 |
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|---|---|---|
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Fader Configuration |
32 + 1 (Master) |
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Mixing Capacity |
Input Channels |
48 (40 mono + 2 stereo + 2 return) |
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Aux Buses |
20 (8 mono + 6 stereo) |
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Stereo Buses |
1 |
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Sub Buses |
1 |
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Input channel functions |
8 DCA Groups |
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I/O |
Inputs |
32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin) |
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Outputs |
16 (XLR) |
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Expansion slots |
1 |
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On-board processors |
DSP |
8 Effects + 10 GEQ |
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Sampling frequency rate |
Internal |
48 kHz |
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Signal delay |
Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz |
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Fader |
100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders |
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Total harmonic distortion |
Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz) |
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Frequency response |
+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT |
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Dynamic range |
110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min. |
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Hum & noise level |
Equivalent input noise |
–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter) |
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Residual output noise |
–85 dBu, ST master off (Measured with an A-Weight filter) |
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Crosstalk |
–100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min. |
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Power requirements |
100–240 V 50/60 Hz |
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Power consumption |
120 W |
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Dimensions |
W |
866 mm (34.1in) |
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H |
225 mm (8.9in) |
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D |
599 mm (23.6in) |
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Net weight |
20.0 kg (44.1lb) |
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Accessories |
Quick Guide, Power Cord, Nuendo Live |
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Options |
Expansion Card, Foot Switch (FC5) |
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Others |
Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C |
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Recording/Playback
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PC/Mac (USB2.0) |
Recording 34 tracks, Playback 34 tracks |
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USB Storage Device |
Recording 2 tracks (USB hard drive/ SSD) *, Playback 2 tracks (USB hard drive/ SSD/ thumb drive) |
*Please note - USB thumb drives are not supported by TF for recording purposes. Please refer to this link for compatible hard drives.
Analog Input Characteristics
|
Input Terminals |
GAIN |
Load |
For Use With |
Input Level |
Connector |
Balanced / |
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|---|---|---|---|---|---|---|---|---|
|
Sensitivity *1 |
Nominal |
Max. before clip |
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INPUT1-32 (TF5) |
+66dB |
7.5kΩ |
50-600Ω Mics |
-82dBu (61.6μV) |
-62dBu (0.616mV) |
-42dBu (6.16mV) |
Combo Jack (XLR-3-31 type *2 |
Balanced |
|
-6dB |
-10dBu (245mV) |
+10dBu (2.45V) |
+30dBu (24.5V) |
|||||
|
ST IN 1,2 |
- |
10kΩ |
600Ω Lines |
-30dBV (31.6μV) |
-10dBV (316mV) |
+10dBV (3.16V) |
RCA Pin Jack |
Unbalanced |
*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are at maximum position.)
*2. 1: GND, 2: HOT, 3: COLD
*3. Tip: HOT, Ring: COLD, Sleeve: GND
*4. In these specifications, 0dBu = 0.775Vrms.
*5. +48V DC (phantom power) can be supplied to INPUT XLR type connectors via each individual software controlled switch.
Analog Output Characteristics
|
Output Terminals |
Source |
For Use With |
Output Level |
Connector |
Balanced / |
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|---|---|---|---|---|---|---|
|
Nominal |
Max. before clip |
|||||
|
OMNI OUT 1-16 |
75Ω |
600Ω Lines |
+4dBu (1.23 V) |
+24dBu (12.3 V) |
XLR-3-32 type *1 |
Balanced |
|
PHONES *5 |
100Ω |
40Ω Phones |
3mW |
75mW |
Stereo Phone Jack (TRS) *2 |
Unbalanced |
*1. 1: GND,2: HOT, 3: COLD
*2. Tip: LEFT, Ring: RIGHT, Sleeve: GND
*3. In these specifications, 0dBu = 0.775Vrms.
*4. All output DA converters are 24bit, 128times oversampling.
*5. The position of the level control is lowered by 16dB from the maximum.
Digital Input/Output Specifications
|
Terminals |
Format |
Data Length |
Audio |
Connector |
|---|---|---|---|---|
|
USB (TO HOST) |
USB |
24bit |
34ch input / 34ch output, PCM |
USB (B type) |
|
iPad |
USB |
- |
Playback: MP3 or WAV file data / Record: WAV file data |
USB (A type) |
Control I/O Specifications
|
Terminals |
Format |
Level |
Connector |
|---|---|---|---|
|
NETWORK |
IEEE802.3 |
10BASE-T/100Base-TX |
RJ-45 |
|
FOOT SW |
- |
- |
TS Phone |